Bayerischer Staatoper Juidtha Triumphans von Antonio Vivaldi, Program DesignBayerischer Staatoper, Muenchen, 2022
A-Z, The Marie Luise Hessel CollectionMarie Luise Hessel Center of Contemprary Art, Bard College, New York, 2022
Something Else: Die Fremdheit Der KinderEssays by Christine Litz and Leohnard Emmerling, Meuseum fuer Neue Kunst, Freiburg, 2022
On Figures: Drawing After Bellmer Edited by Kate McFarlane, Michael Newman, Sharon Kivland amd Louis Mason, MA Bibliotheque, 2021
Deutsche Welle, Televised Interview �Influence on America: Art and Culture what with the New Biden Administration Bring?� January 21, 2021, 18:00
Galerie Barbara Thumm �NewViewings, 2021"
Crossing Borders: Collection for the Future, Staatliche Sammlung Dresden, Stephanie Buck, Bjorn Eggling, Maillena Mallch, 2020
Passagen XX1, Erika Hoffmann-Koenige und Elke Gieffeler, Sammlung Hoffmann-Koenige, 2020
In bester Gesellschaft Ausgew�hlte Erwerbungen des Berliner Kupferstichkabinetts 2009-2019, Kupferstischkabinett, Gemaeldegalerie, Berlin Dr. Dagmar Korbacher, Gemaeldegalerie, Staatlichen Museeun, Berlin
Closer to Life Lynne Cooke, Michael Newman, Paul Chan, Gabriela Jauregui, Marieluise Hessel, Tom Eccles, Amy Zion, CCS Bard Hessel Museum, Bard, NY, USA, 2020
A Passion For Drawing Klaus Albrecht Schroeder and Elsy Lahner, Albertina Museum, Hirmer Verlag, Vienna, 2019
Das Tagesspiel, "Zarte Knaben, Stolze Krieger, Kunst ohne Grenzen: Das Berliner Kupferstichkabinett pr�sentiert ausgew�hlte Neuerwerbungen aus dem letzten Jahrzehnt" by Elke Linda Buchholz, November 6, 2019
Der Standard, Oesterreichs Unabhaenginge Tagezeitung, "Schiele Reloaded" Page 3, 26, October 16, 2018
Hyperallergic, "Schiele Reloaded", by Thomas Michelli, February 2, 2018
Der Antist, Zeitschrift Der Wien, Heft Nr. 3, Fr�hling, 2017
DIE GEZEICHNETEN, Bayrische Staatsoper, Fr�hling, 2017
Der Tagesspiegel, Kunst and Markt, "Seele Suchen", Thomas W. Kuhn, Page 4, January 4, 2017
Berliner Zeitung, "Chloe Piene, Picture of the Week: Familienaufstellung" Ingeborg Ruthe, Page 24, January 20, 2017
BerlinArtLink, "Chloe Piene at Galerie Barbara Thumm" by Candice Nembhard, Photos by Sandra Camey, January 31, 2017
Pandora�s Box, Portrait�s Of Artists, Publication and Project,2017
The Phillips Collection, Washington DC, Interview with Klaus Ottmann, Director, 2017
Nut: Egyptian Goddess of the Sky to support the Global Fund for Women, Edited by Alli Melanson and Liza Lacroix, 2017
Social Photography V, Cellphonephotos, Carriage Trade, July, 2017
Mugshots, Zine, Chloe Piene, New York, Berlin, Spring 2017
Mirror/Mirror, "Chloe Piene, At Ci� Cach Ro Genair / I See All Who Are Born" April, 2017
Snow, Issue Number 5, "Chloe Piene: Daily Shits", Ed. Anthony Barnett, London, Fall, 2017
Spike Magazine, Issue 343, "Chloe Piene: 400 Faces", March 1, 2017
Moore College of Art, Interview and Talk with Katye Johnson Curator, 2016
"Bruseum, �Ich Gezeichnete Ich� Graz, Austria, Roman Grabner, Curator: Video" 2016
Art Mag by Deutsche Bank, "Drawing Now The Albertina Defines the Current Status Quo of Drawing", 2015
Coax Magazine, "Drawing Now at Albertina Vienna", 2015
Kultur Online, "Drawing Now" October 4, 2015
Kleine Zeitung, "Universalmuseum Joanneum zeigt 'Das Gezeichnete Ich'" July 2, 2015
E-Flux, "The Marked Self", July 2 2015
The Los Angeles Times; Christopher Knight, Review of Chloe Piene at Susanne Vielmetter Projects, June 20, 2015
Drawing Now, with texts by Warren Nieszcuchowski and Elsy Lahner, The Albertina Museum, Vienna, 2015
Drawing People, Thames & Hudson, by Roger Malbert, 2015
Steiermark, "Das gezeichnete Ich im Bruseum", March 07, 2015
Drawing The Bottom Line, SMAK, by Martin Germann and Philippe Van Cauteren, Yale University Press, Ghent, 2015
E-Flux, "Drawing | The Bottom Line” October 3, 2015
Queensize, Selections from the Olbricht Collection, Me Museum, Berlin, 2015
Contemporary Drawing,Tate Britain, by Katherine Stout, 2014
Collectors Room �Me Museum, Berlin� 2014-2015
Daily Metal, "Astralis" Review by Annie Hazzo, 2014
B, "Espace de l�Amour" April 9, 2014
Luxury Touch, "Les profondeurs de l�Astral par l�Espace Culturel Louis Vuitton & Astralis” by Marina Caderby, Feruary 3, 2014
Hero Magazine, "An abyss just off the Champs-�lys�es" by Thomas Davis, March 3, 2014
Vogue Paris, "Astralis, voyage sid�rant a l'Espace Culturel Louis Vuitton", 2014
1/2; Puoli-Lehti, "Interview of Chloe Piene by Mikko Kallio", 2014
Le Quotidien de l'Art, "Vernissage Agnes Varda a la Galerie Nathalie Obadia", page 9, Photography: Luc Castel, 2014
Diane Rosenstein, Unsparing Quality, 2014
"Someone Else� Leonhard Emmerling, Dunedin Art Gallery, New Zealand, 2013
Beware Magazine, Paris, Chloe Piene, 2013
Espace Culturel Louis Vuitton, Astralis, 2013
Corner Magazine, "Hair and Skin" Review by Clara Bauman, 2013
The Village Voice, "Skin Games" Review by R.C. Baker, 2013
The New York Observer, "Hair and Skin" Review by Will Heinrich, 2013
Film, Art, New Media: Museum Without Walls? Ed. Angela Dalle Vacche, Palgrave Macmillan, UK, 2012
La Liberation, "Chaman power au Quai-Branly , L�exposition 'les Ma�tres du d�sordre' fait dialoguer sorcellerie et art contemporain" by Frederique Roussel, July 4, 2012
Le Corridor de l'Art, "Les ma�tres du d�sordre, une exposition envoutante au mus�e du Quai Branly (Paris)" by Pauline Lisowski, July 2, 2012
Le Monde, "Transe vaudoue ou plut�t exorcisme suisse?, Au Mus�e du quai Branly, 'Les ma�tres du d�sordre' plongent dans les myst�res des arts magiques" by Philippe Dagen, April 13, 2012
France Inter, "La Ma�trise du D�sordre" March 19, 2012
Figured|Spaces Selections from the John Morrisey Collection, Schmidt Center Gallery, by Karen J. Leader, FAU, 2012
Neuzugänge (New Acquisitions) 2001-2012, Kunsthalle Emden, By Frank Schmidt, 2012
Berlin Art Journal "The Iron Woman” January 12, 2012
Stamford University Press"THE AESTHETICS OF HATE” by Sandrine Sanos, 2012
Kunstbeeld "Chloe Piene” NR 4, 2012
Anthology, edited by Dane Patterson, 2012
Berliner Morgenpost, "Wenn Architekten auf die schiefe Bahn geraten” by Tim Ackermanns, Feb. 2012
Der Tagesspiegel (Kunst & Markt) "Eiserne H�nde” by Christiane Meixner, February, 2012
Artinvestor "Hammer Frau!”, February, 2012
The Witness "Artist Feature #13: Chloe Piene” January, 2012
The Art of Cruely: A Reckoning by Maggie Nelson, W. W. Norton & Company, 2012
Reconciling Art and Mothering ed. Dr. Rachel Epp Buller, Routledge Publishing, 2012
"Intersecare” by Spencer Topel; Decomposition of Bach's Cello Suites with Sleeper 06, Cornell University, March, 2012
Berliner Zeitung "Eiserne Lady in Zauberkasten” by Irmgard Berner, Jan. 17. 2012
S�ddeutsche Zeitung, exhibition review by Kito Nedo, January 14 - 15, 2012
Zitty 05 - 2012 "Chloe Piene: Eiserne Frau” February, 2012
Arts Libre "Facettes de Soi et de L'Autre” by Jean Marc Bodson, November 18th, 2011
H Art "Chloe Piene” by Christine Vuegen, March 3rd, 2011
Arts Libre "A Chacun Son Etage” by Claude Lorent, March 3rd, 2011
L'Express, “Theatre Macabre”, January 28, 2012
Compass In Hand, Drawings of the Museum of Modern Art, New York Edited by Christian Rattemeyer, Martin Gropius Bau Berlin, 2011
Ferocitas Lions, The Edge, 2011
Absinthe, Cover and Insert, 2011
"Interview between Chloe Piene and Roland Flexner", Damelio Terras Gallery, January, 2011
Border Crossings, Foldout, Volume 29, Number 3, Issue No. 115, 2010
Location, Location Artists Books & Editions, Minneapolis, 2010
Art in America, "Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collections" review by Steve Pulimood, May 26th, 2009
Diaries of a Young Artist, Edited by Peter Nesbett, DAP, New York, 2009
Gothic: The Evolution of a Dark Aesthetic, by Catherine Spooner, Kim Newman, Gilda Williams and Mick Mercer, Carlton Books, London, 2009
The New York Times, "Compass in Hand: MoMA Pushes the Envelope in Works on Paper" review by Roberta Smith, April 23, 2009
TRANSATLANTICO, with Ann Sofi-Siden, Berlin, April, 2008
Afterart, "Chloe Piene’s New Skullptures" review by Tim Maul, July 11, 2008
Time Out New York, Review, “Chloe Piene” by Anne Doran, June 4, 2008
Le Figaro, “Chloe la barbare et Jeppe le trublion . . .” by Valérie Duponchelle, p. 24, December 28, 2007
Le Monde, “Chloe Piene, cris et ricanements” by Philippe Dagen, p. 25, November 15, 2007
La Marseillaise, “L’art entre pulsion de vie et de mort” by M & J Latorre, Novermber 10, 2007
Chloe Piene, with essay “At hand” by Barry Schwabsky, Carré d’Art – Musée d’Art Contemporain de Nîmes, 2007
Le Figaro, “Berlin devient la capitale sereine des artistes” by Valérie Duponchelle, October 4, 2007
Hellbound, Edited by Francesca Gavin, Laurence King Publishing, London, 2007
Frozen Tears III,Edited by John Russel, Central Books, London, 2007
Monopol Magazine, “Chloe Piene” by Oliver Koerner, October 2007
Style Magazine Berlin, “Chloe Piene” by Marcus Woeller, p. 125, March 2007
Spike Art Quarterly, Review, “Chloe Piene at the Witte de With” by Ines Gebetsroither, pp. 90 - 91, May 2007
Ice Cream: Contemporary Art and Culture, Phaidon Press, 2007
Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Summer 2007
Harvard Review #32, Cambridge, 2007
Philadelphia Weekly, “Double Exposure” by Carmen Winant, January 31, 2007
Haaretz, “The American Nightmare” by Smadar Sheffi, January 24, 2007
Haaretz, “Desire Strong as Death” by Uzi Zur, January 23, 2007
Time Out Tel Aviv, “Thuggery” by Lea Abir, January 12, 2007
ARTnet Magazin, "Provocative Realism" by Donald Kuspit, December 18, 2006
ARTnews, "Making Skin Crawl" by Hilarie M. Sheets, pp. 102, 104, September 2006
ID Magazine, "Chloe Piene: Bite the Bullet" by Melissa Gronlund, p. 36, June/July 2006
ARTnews, "The Big Draw" by Hilarie M. Sheets, pp. 98-103, January 2006
Phonecall, by Chloe Piene, One Star Press, Paris, January 2006
Vitamin D, Essay on Chloe Piene by Barry Schwabsky, Phaidon Publishing, 2005
Egon Schiele, Statement by Chloe Piene, Neue Galerie, New York, November 2005
Masculinities, Neuer Berliner Kunstverein, Berlin, November 2005
Modern Painters, "Chloe Piene" by Joshua Mack, November 2005
L'Humanité, "Toulouse s'abandonne aux 'Vertiges'" by Magali Jauffret, September 27, 2005
La Liberation, "Toulouse Art-Corps" by Brigitte Ollier, September 27, 2005
Le Figaro, "Chloe Piene, La Centaure" by Valerie Duponchelle, p. 12, September 9, 2005
Telerama, "Chloe Piene" by Adrienne Farb, pp. 90-91, September, 2005
Printemps de Septembre a Toulouse Volume 2: "Vertiges" Les presses du reel, September 2005, "Artists 'Getting Emotional' in a New Exhibition", August 30, 2005
NRC, "Bellenblaas uw tekening gerust" by Marianne Vermeijden, August 2005
Art Actuel, "Que d` emotions!" by John Peter Brakewood, July/August 2005
Vogue Italia, "Chloe Piene Cut Through" by Mariuccia Casadio, pp. 359 - 364,July 2005
The Boston Globe, "Sweet Emotion", July 12, 2005
IN Newsweekly, "It's totally gay, sort of" by Dan Delgado, p. 14, July 27, 2005
Sunday Advocate, "Defining Eroticism in a Techno-porn Consumer Culture" by L.P. Streitfeld, July 10, 2005, "Contemporary Erotic Drawing at The Aldrich", June 8, 2005
Artpresse, Reviw, "Chloe Piene" by Jean-Pierre Criqui, June 2005
Flash Art, News, "On Now, On Soon," p. 83, May/June 2005
The Boston Globe, "Getting in touch with their feelings" by Christine Temin, May 22, 2005
The New York Times, "Erotic Goes Mainstream" by Benjamin Genocchio, May 8, 2005
Getting Emotional, The Institute of Contemporary Art, Boston, May 2005
Contemporary Erotic Drawing, The Aldrich Contemporary Museum, May 2005
Boston/NE Gallery Guide, "Spotlight: Getting Emotional," May 2005
Boston Magazine, "Sweet Emotion" by Steve Jermanok, p. 245, May 2005
Le Monde, "Les Corps Déchirés de Chloe Piene" by Philippe Dagen, April 30, 2005
Museums Boston, "Tear Jerker", p. 24, Spring/Summer 2005
Collection and New Acquisitions, Walker Museum of Contemporary Art, 2005
Rocky Mountain News, "Personal Experience Filters 'Boys'" by Voelz Chandler, February 18, 2005
Houston Press, "Hot Ass Art" by Steven Devadanam, January 27, 2005
Art Lies, Volume 46, Spring 2005
IIssue Magazine, "Chloe Piene, Petit Mort" by Simon Watson, Issue 8, Fall 2004
New York Magazine, "Show and Tell", p. 136, November 29, 2004
Flash Art, "Noctambule" by Craig Garrett, p. 60, October 2004
Houston Press, "In the Male" by Keith Plocek, August 5, 2004
See Magazine, "Visual Arts Review: Thriller" by Natasha Mekhail, July 8, 2004
Perspectives 142: Boys Behaving Badly, Contemporary Arts Museum Houston, pp. 12 - 13, June 2004
Tema Celeste, "New York 03-13-04" by Dan Cameron and Arthur C. Danto, pp. 48-57, May/June 2004
Flash Art, "Whitney Biennial 2004: A Good Looking Corpse" by Melissa Dunn, pp. 63, 80, May/June 2004
Saint Louis Times, "Art's Really Big Show" by David Bonetti, May 2, 2004
Columbia News, "Six Columbia Alumni Selected for Whitney Biennial" by Kristin Sterling, April 2, 2004
Arte, "Alla Biennale del Whitney: Torna la Pittura" by Renato Diez, pp.104 - 111, April 2004
The Brooklyn Rail, Cover Art and "2004 Whitney Biennial" by Megan Heuer, p. 17, April 2004
Neue Zürcher Zeitung, "Die neue Bescheidenheit" by Andrea Köhler, March 25, 2004
Arts, "Modern Arts Note's Five Fave Young Biennialists" by Tyler Green, March 24, 2004
The New Yorker, "What's New: The Whitney Biennial" by Peter Schjeldahl, pp. 100-101, March 22, 2004
The Globe and Mail, "Art in a Tremulous Time" by Sarah Milroy, Mar 17, 2004
Philadelphia Inquirer, "Art: A View From The Front Line" by Edward J. Sozanski, March 14, 2004, "The Whitney Museum's escapist, moderate 2004 Biennial" by Mia Fineman, March 12, 2004
The New York Times, "Touching All Bases at the Biennial," by Michael Kimmelman, Arts p. 1, 38, March 12, 2004
The New York Sun, "Snapshots - and Painting! - From the Cutting Edge" by Daniel Kunitz, March 11, 2004
The New York Times, "Art That Speaks To You. Literally." by Roberta Smith, Arts p. 30, March 7, 2004
Basler Zeitung, "Kunsthalle Bern: Chloe Piene" by kng, February 28, 2004
Kunst-Bulletin, "Chloe Piene in der Kunsthalle Bern" by Alice Henkes, February 20, 2004
Le Temps, "Ces pulsions obscures..." by Philippe Mathonnet, February 17, 2004
Bernerbar, "Chloe Piene," February 12, 2004
Le Monde, "Chloe Piene Filme La Nuit en Plein Jour" by Philippe Dagen, p. 30, February 11, 2004
Bieler Tagblatt, "Der verfuhrerische Geschmack des Todes" by Annelise Zwez, February 11, 2004
Praxis, "Austellung: Kunsthalle Bern, Chloe Piene," February 11, 2004
Aargauer Zeitung, "Im Ausnahmezustand" by Barbara Miesch, January 31, 2004
Linth Zeitung, "Ein allzeit verfugbares Studienobjekt" by sfd, January 31, 2004
Der Bund, "Radikale Körperstudien" by Marianne Mühlemann, Kultur p.13, January 30, 2004
Berner Zeitung, "Schwere Lebenstänze in Schwarz" by Konrad Tobler, p. B7, January 30, 2004
Chloe Piene, Essays by Bernhard Fibicher and Lee Triming, Kunsthalle Bern, January 2004
Artforum, Preview, "Chloe Piene, Kunsthalle Bern" by Frances Richards, p. 80, January 2004
Museums Magazines, New York Edition, Cover Art, 2004
Museums New York, Art Beat, p.17, Winter 2004
Museums New York, Museums Collect, "Activist Trustee: The Judith Rothschild Foundation" p. 4, Winter 2004
Berner Zeitung, "Schwere Lebenstänze in Schwarz" by Konrad Tobler, p. B7, January 30, 2004
Art Unlimited, Art Basel, UBS, By Samuel Keller, 2003
Love-Hate, Ursula-Blickle Stiftung, Germany, Fall 2003
Die Wochenzeitung, Review, "Chloe Piene" by Edith Krebs, August 28, 2003
Art in America, Review, "Chloe Piene" by Nancy Princenthal, pp. 91 - 92, July 2003
Art Press, News, "Chloe Piene" by Charles-Arthur Boyer, pp. 68 - 69, June 2003
Flash Art, Review, "Chloe Piene, Gasser & Grunert" by Maika Pollack, p. 90, May/June 2003
Artforum, Review, "Chloe Piene, Klemens Gasser & Tanja Grunert" by Frances Richards, pp. 168 - 169, May 2003
New Yorker Magazine, Chelsea Art Galleries, "Chloe Piene at Gasser & Grunert," March 14, 2003
Irish Times, Reviews, "Losing It" by Mark Ewart, March 2003
Art in Ireland, "Losing It," March 2003
The Examiner, "Losing it Lets it All Hang Out," March 2003, New York Art, "Chloe Piene at Gasser & Grunert" by Paul Laster, February 2003
Women's Wear Daily, "Video Stars," p. 4, January 7, 2003
MAKE Magazine, Interview with Lisa Prior, pp. 36 - 37, Special Edition #92, 2002
Cabinet Magazine, image insert, "Self Portrait with Dog" December 2002
Flash Art, "The Liverpool Biennial" by Lee Triming, pp. 41, 50, November/December 2002
Video Topiques, Les Musees de Strasbourg, October, 2002
Liverpool Biennial Liverpool International, Tate Museum Liverpool, September 2002
New York Times, "Inside the Whale" by Ken Johnson, February 8, 2002
Smock, "Smock Off the Wall," image, pp. 122 - 123, Spring/Summer 2001
Helsinki Sanomat "Kalevala on Voimakas ja Brutaali" by Leena Honkavaara, May 5, 2001
Helsinki Sanomat, "Pienesta nakee" by Pessi Rautio, April 5, 2001
Flash Art, News, "Insider Trading," March/April 2001
Los Angeles Times, "A Poignant Intersection of Fantasy and Reality" by David Pagel, May 29, 2001
M�nchen Kultur, "Vorsicht! Weibliches Terrain" by Anne Erfle, February 20, 2001
Münchner Merkur No. 21, "Video," January 26, 2001
Hers, Steirischer Herbst, January 2001
Zing Magazine, "3D-Archnemesis" curated by Sebastiaan Bremer, Issue 11, Winter 2000
Frieze, Review, "Chloe Piene at Marianne Boesky" by David Hunt, pp. 108 - 109, June/July 2000
Hufvudstadsbladet, "Focus på psyket" by Maria Hirvi, June 1, 2000
Helsinki Sanomat, "Valtapeliä video-installaatioissa" by Marja-Terttu Kivirinta, May 27, 2000
Vorarlberger Nachrichten, "Crashkurs für Selbstdarsteller," May 3, 2000
Neue Voralberger Tageszeitung, "Sich Selbst Inszenieren" by Inge El-Himoud-Sperlich, April 29, 2000
Vorarlberger Nachrichten, "Ausstellung Chloe Piene im magazin4 in Bregenz," April 27, 2000
Kuva, "Itsekkäitä äyriäisiä ja vankilakirjeenvaihtoa" by Laura Honkasalo, pp. 6 - 7, April 3, Flash Art, Review, "Chloe Piene at Marianne Boesky" by Lisa Prior, p. 114, March/April 2000
New Yorker Magazine, Soho Art Galleries, Chloe Piene at Marianne Boesky, January 6, 2000